Friday, February 22, 2013

Artwork as of Now, This Is What I Have

Architectural Church
Pencil
12 x 12



Ballpoint Portrait
Ballpoint Pen
16 x 20



Bottle Study
Watercolor
11 x 9

                                                                            Bottles
                                                                      Colored Pencil
                                                                            20 x 16
                                                             China-marker Self Portrait
  China-marker
16 x 12
 
Church of the Incarnation
Watercolor
15 x 15
Contour
Pen
20 x 16

ClothColored Pencil
10 x 10
Fear
Watercolor
20 x 16
Flower Self-Portrait
Acrylic
18 x 12
Michelle
Pencil
24 x 18

Integrated Figure
Mixed Media
24 x 18
I Don't Even Know What This Is
Mixed Media
24 x 18

Molecules
Mixed Media
24 x 18
New Orleans
Mixed Media
18 x 24
Owlet
Mixed Media
20 x 16
Swamp Monster
Photography
20 x 16

 
Tapir
Intaglio Print
16 x 10

Thursday, February 21, 2013

Personal Confessions-Part 1

When I get home from school and neither of my parents is home, I like to pretend I have a cooking show called “Putting Butter on Things and Putting Them in the Microwave”; and then I take leftovers from my fridge and put butter on them, and put them in the microwave. One time I put butter on peanut butter and put it in the microwave.

Sometimes, I have moments where I’m deathly afraid I’m about to urinate in my pants; but then I catch myself.

I’m relatively scared of the dark, because sometimes when I’m alone I think that some bald man is going to come up from the foot of the bed and lick my big toes. And he’ll like it. And I won’t.

I set my car to km/hour sometimes so it looks like I’m going faster than I really am because I’m not allowed to drive on the highway.

I like to smell my upper lip a lot, and sometimes I pretend I’m doing something with my hand in front of my face so other people won’t see me do it in public.

I have a trash grabber that I use to pick up the dirty underwear off my floor when I’m cleaning my room because it makes it more fun. I pretend that I’m in a hazmat suit picking up toxic waste with those little tong things.

I like to pretend that I’m a giant eating little trees when I eat broccoli because it helps me get over my height complex.

I love Toddlers and Tiaras.

I buy classical music cassettes and put them casually around my room before people come over so that they’ll think I’m sophisticated. Sometimes I listen to Taylor Swift.

Sometimes I’ll preform domestic tasks like a Sim and throw my arms in the air in exasperation when an object is in my way. It drives my mom crazy.

I do a really good Christopher Walken impression. Like, really good.

Mayday, Mayday


So, we played this game in our English class that was supposed to mock the dilemma of the antagonist, Offred, in Margaret Atwood’s The Handmaid’s Tale. Despite being a literal land-crab, Atwood’s ability to express the inner and outer-personal conflicts afflicting her characters is incredibly conducive to an interesting and suspenseful narrative and the way in which she is able to type with crusted pincers is equally as admirable.

Though I was disappointed with the game in its noted lack of crab-walking, I did appreciate the way in which it prompted assumptions of my level of trust both with myself and with others that I had never before attempted to understand. In the game, two classmates were selected at random to be Eyes, spies in the novel, whose job it was to convince the other players that they were simply Handmaids. Two classmates were also selected to be Mayday Rebels, whose job it was to free a Handmaid at nightfall, for a rebel to free an Eye however, was deadly. During the day, everyone in the room (the rebels being the only ones aware of each other’s identities) would speculate as to who the Eyes were, and if steadfast enough in that speculation would unanimously choose to execute another classmate. The entirety of the game is the strength of blind assumption and the power of a group to influence personal decisions, or at least to fortify or validate them.
Within the first round of the game it is difficult to make any assumptions, and the things that are assumed are either biased or entirely baseless. I tried to trust the people who spoke the least, thinking that by their lack of desire to engage in forced small talk, that they had nothing to hide. I didn’t have any secrets, I was just a Handmaid; I wasn’t even allowed to read. By the second round however, despite having no further evidence from which to make conclusions, people were desperate to kill; either from a lack of action or an urge to get the game started. A great many judgments were made regarding the way people looked, just their natural faces; “you have a dishonest face, no offense.” As if we were looking for any footing to justify conviction. Mary talked, a lot, as she often tends to do; and her inability to keep quiet, her facial expressions, even her stance contributed to a general dislike that was only fostered from a single suggestion that she may be a spy. One suggestion, and every aspect of her immediately seemed suspicious. As if we had all been waiting for someone to be the first to say it. So she was executed. And then she slapped Gabby.

The thing I found most interesting about the exercise was my subconscious need to belong to the group, to satisfy myself by agreeing with them. And we all built off of one seemingly insignificant detail; someone twitching their eye immediately translated into distrust, and then their shoes looked funny, and their voice was strange, and their hair was deceiving. It was surprising how many minor, trivial, ridiculous reasons we would come up with to justify our hatred. And I did it too, I was pointing my fingers without really knowing why. Because I wanted so much for fingers to not be pointed at me.